{"id":18,"date":"2015-10-10T22:07:03","date_gmt":"2015-10-10T22:07:03","guid":{"rendered":"http:\/\/localhost\/filipberte\/?page_id=18"},"modified":"2021-03-15T13:39:21","modified_gmt":"2021-03-15T13:39:21","slug":"bio","status":"publish","type":"page","link":"https:\/\/filipberte.com\/nl\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"<p>geboren, 1976 Gent (BE)<br \/>\nwoont en werkt in Gent<\/p>\n<h2>OPLEIDING<\/h2>\n<p>1994 &#8211; 1999<\/p>\n<ul>\n<li>Sint-Lucas, departement Architectuur, Gent (BE)<\/li>\n<\/ul>\n<p>1988 &#8211; 1997<\/p>\n<ul>\n<li>Koninklijke Academie voor Schone Kunsten, Schilderkunst, Gent (BE)<\/li>\n<\/ul>\n<h2>TENTOONSTELLINGEN \/ ACTIES<\/h2>\n<p>2019<\/p>\n<ul>\n<li><u>Displacement and Togetherness &#8211;<\/u><u> Europalia<\/u>, Cultuurcentrum Strombeek, Strombeek (BE)<\/li>\n<li><u>Departing from Two Stones<\/u>, KANS, Brussel (BE)<\/li>\n<li><u>Wroc\u0142aw Drawing Triennal 2019<\/u>, Arttrakt Gallery, Wroc\u0142aw (PL)<\/li>\n<li><u>Precarious Ghosts Take Care<\/u>, Pre-Triennale Brugge, Godshuis St.Jozef &#8211; De Meulenaere, Brugge (BE)<\/li>\n<li><u>Weg naar Kamer O<\/u>, Chambres d\u2019O, Oostende (BE)<\/li>\n<\/ul>\n<p>2018<\/p>\n<ul>\n<li><u>Un\/settled &#8211; Un-Home \/ Mobile Cinema<\/u>, Stationsplein, Brugge (BE)<\/li>\n<li><u>Inland Voyages in An Inland Voyage<\/u> &#8211; Mira Sanders, Mus\u00e9e d\u00e9partemental d&#8217;art contemporain de Rochechouart, Rochechouart (FR)<\/li>\n<li><u>Camera Lucida, Summer of Photography<\/u>, Galerie Ravenstein, Brussel (BE)<span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<li><u>Un\/settled &#8211; Un-Home \/ Moving Stones<\/u><i> &#8211; Momentum VI<\/i>, Rode Kruisopvangcentrum voor asielzoekers, Brugge (BE)<span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<li><u>Un\/settled &#8211; Un-Home \/ Moving Stones<\/u> <i>&#8211; Evictio<\/i>, Provinciedomein Raversyde, Oostende (BE)<\/li>\n<\/ul>\n<p>2017<\/p>\n<ul>\n<li><u>Reading Stones \/ In Presence of Dead Force<\/u>, A Kind of Space, Brussel (BE)<\/li>\n<li><u>Migration in Mind &#8211; Dialogues around Migration<\/u>, Maison des Moines, Romainm\u00f4tier (CH)<\/li>\n<li><u>Provinciale Prijs Beeldende Kunst\u00a0(1997 &#8211; 2017)<\/u>, Roger Raveelmuseum, Machelen-Zulte (BE)<\/li>\n<li><u>Gutta Cavat Lapidem<\/u>, dAM Espace de Andr\u00e9s \u2013 Missirlian, Romainm\u00f4tier (CH)<\/li>\n<li><u>Refaire Surface \u2013 Suspended spaces<\/u>, Centre d\u2019Art le Lait, Albi (FR)<\/li>\n<li><u>Un-Home \/ Moving Stones \u2013 Momentum IV<\/u>, Dark Matter Games, Sale Docks, Veneti\u00eb (IT)<\/li>\n<li><u>Un-Home \/ Moving Stones \u2013 Momentum III<\/u>, Performatik 2017, Workspacebrussels, Brussel (BE)<\/li>\n<\/ul>\n<p>2016<\/p>\n<ul>\n<li><u>Waiting for the Secret<\/u>, Les Halles de St.-G\u00e9ry, Brussel (BE)<\/li>\n<li><u>Un-Home \/ Moving Stones<\/u> &#8211; Working Title Festival, Workspacebrussels, Beursschouwburg, Brussel (BE)<\/li>\n<li><u>One More Take &#8211; Photographs by John G. Zimmerman<\/u>, Abtenhuis Geraardsbergen (BE)<\/li>\n<li><u>Mira Sanders &#8211; Inland voyages in an inland voyage<\/u>, Argos Centre for Art and Media, Brussel (BE)<\/li>\n<li><u>Citadel\u2019arte<\/u>, Citadel, Diest (BE)<\/li>\n<li><u>Sair do Livro &#8211; Suspended Spaces<\/u>, Circulo de Artes Plasticas do Coimbra, CAPC, Coimbra (PT)<\/li>\n<li><u>Switch On! &#8211; Suspended Spaces<\/u>, Palacio Pombal, Lissabon (PT)<\/li>\n<li><u>Hacking Habitat<\/u> &#8211; Voormalige Gevangenis Wolvenplein, Utrecht (NL)<\/li>\n<li><u>Open Call<\/u> (laureaat) &#8211; Think Tank lab Triennale, International Festival for Contemporary Drawing, Arttrakt Gallery, Wroc\u0142aw (PL)<\/li>\n<\/ul>\n<p>2015<\/p>\n<ul>\n<li><u>Un-Home, Spielart \/ Art in Resistance<\/u>, Gasteig, M\u00fcnchen (DE)<\/li>\n<li><u>Suspended Spaces \/ Sortir du Livre<\/u>, Mains d\u2019Oeuvres, Parijs St.-Ouen (FR)<\/li>\n<li><u>Un-Home (CH)<\/u>, Arc artist residency, Romainm\u00f4tier (CH)<\/li>\n<li><u>Batumi Transitus<\/u>, Fondation Biermans-Lap\u00f4tre, Parijs (FR), (solotentoonstelling)<\/li>\n<\/ul>\n<p>2014<\/p>\n<ul>\n<li><u>KunstVisite 2014<\/u>, Charit\u00e9 &#8211; Campus Benjamin Franklin, Berlin (DE)<\/li>\n<li><u>Ostrale 014 &#8211; Around You<\/u>, Ostragehege, Dresden (DE)<\/li>\n<li><u>Anonyme Zeichner \u2013 based in Berlin 2014<\/u>, Pavillon am Milchhof, Berlijn (DE)<\/li>\n<li><u>Spoor 9 \u2013 An Ideal For Living<\/u> \u2013 SECONDroom, Traffic #, Station Antwerpen Centraal (BE)<\/li>\n<li><u>From Georgia. With Love?<\/u> \u2013 Filip Berte, Kakha Kakhiani, deBuren i.s.m. BOZAR en De Markten, De Markten, Brussel (BE)<\/li>\n<li><u>From Georgia. With Love?<\/u> \u2013 Literaire avond met schrijvers Lasha Bugadze, Dato Turashvili, Frank Westerman, Julie Reniers, Filip Berte, deBuren, Brussel (BE)<\/li>\n<\/ul>\n<p>2013<\/p>\n<ul>\n<li><u>Filip Berte \/ The Graveyard &#8211; cities in the margin<\/u>, Spielart festival \/ Cityworks M\u00fcnchen (DE), (groepstentoonstelling)<\/li>\n<li><u>Filip Berte \/ Edwin Jacobs<\/u>, interview met directeur Centraal Museum Utrecht, Zijdebalentheater, Utrecht (NL)<\/li>\n<li><u>Dubbel-lezing Filip Berte \/ Olaf Tempelman<\/u>, Zijdebalentheater, Utrecht (NL)<\/li>\n<li><u>House of Eutopia<\/u>, Zijdebalentheater, Utrecht (NL), (solotentoonstelling)<\/li>\n<li><u>Minima Docta: lezing over Eutopia en architectuur in de marge<\/u>, Luca School of Arts, CAMPO Nieuwpoort, Gent (BE)<\/li>\n<\/ul>\n<p>2012<\/p>\n<ul>\n<li><u>Eutopia \/ Mobile Office III &#8211; The Blue Room \/ The Graveyar<\/u>d, CBKU, Utrecht (NL), (solotentoonstelling)<\/li>\n<li><u>Citybooks, Summer of Photography<\/u>, deBuren i.s.m. BOZAR en De Markten, De Markten, Brussel (BE), (groepstentoonstelling)<\/li>\n<li><u>Filip Berte \/ The Graveyard &#8211; cities in the margin<\/u>, STAM, Gent (BE), (solotentoonstelling)<\/li>\n<li><u>Provinciale Prijs Beeldende Kunst 2011<\/u>, Caermersklooster, Gent (BE)<\/li>\n<li><u>Filip Berte \/ The Graveyard<\/u>, Theaterhaus Gessnerallee, Z\u00fcrich (CH), (groepstentoonstelling)<\/li>\n<\/ul>\n<p>2011<\/p>\n<ul>\n<li><u>Eutopia \/ Mobile Office II &#8211; The Graveyard<\/u>, Ateliers Van Asch van Wijckskade, Utrecht (NL), (solotentoonstelling)<\/li>\n<li><u>Filip Berte \/ Eutopia: Collective Memory Gallery<\/u>, CC Evergem, Evergem (BE), (solotentoonstelling)<\/li>\n<li><u>10 years 9\/11: How free are we?<\/u>, One Day Art Manifestation, Neudeflat, Utrecht (NL), (groepstentoonstelling)<\/li>\n<li><u>Suspended Spaces<\/u>, artists&#8217; collective workshop, Beirut Art Centre, Beirut (LB)<\/li>\n<li><u>CityBooks \/ Tbilisi<\/u>, Atrium Stadhuis Den Haag (NL), (groepstentoonstelling)<\/li>\n<li><u>CityBooks \/ Tbilisi<\/u>, Europe House, Tbilisi (GE), (groepstentoonstelling)<\/li>\n<li><u>The Graveyard<\/u> (zeefdruk), Kunstuitleen, Utrecht (NL)<\/li>\n<\/ul>\n<p>2010<\/p>\n<ul>\n<li><u>Eutopia \/ Mobile Office I &#8211; Collective Memory Mass Grave<\/u>, CBKU, Utrecht (NL), (solotentoonstelling)<\/li>\n<li><u>Eutopia \/ Collective Memory Mass Grave<\/u>, ARCHA Theatre, Praag (CZ), (solotentoonstelling)<\/li>\n<li><u>Eutopia \/ Protected Landscape \/ Collective Memory Mass Grave<\/u>, Malta-Festival, Poznan (PL), (solotentoonstelling)<\/li>\n<li><u>The Dialogue Audition<\/u> (one week performance), European Foundation Week, Le Square, Brussel (BE)<\/li>\n<li><u>Suspended Spaces #1<\/u> \u2013 curator Brent Klinkum, Maison de l&#8217;Achitecture, Amiens (FR), (groepstentoonstelling)<\/li>\n<\/ul>\n<p>2009<\/p>\n<ul>\n<li><u>From Memory, On Knowing and forgetting<\/u>, Museum Dr. Guislain, Gent (BE), (groepstentoonstelling)<\/li>\n<li><u>Speech-act 1989<\/u>, Spoken-World 2009, Kaaistudio&#8217;s Brussels (BE)<br \/>\nEutopia \/ Fragments of Collective Memory Mass Grave (video), Sint-Lucas,\u00a0Campus Architectuur, Gent (BE)<\/li>\n<li><u>Yes Or No Monologue For The European Constitution<\/u> (performance),\u00a0Administratief Centrum voor Burgeraangelegengheden, Brussel (BE)<\/li>\n<li><u>Filip Berte \/ Eutopia<\/u>, Kunstenfestivaldesarts, Centrale Electrique, Brussel (BE), (solotentoonstelling)<\/li>\n<li><u>Filip Berte \/ Eutopia<\/u>, Art Brussels 27, Centrale Electrique, Brussel (BE), (solotentoonstelling)<\/li>\n<\/ul>\n<p>2008<\/p>\n<ul>\n<li><u>Walls &amp; Gateways<\/u>, curator Lara Pan, ACEC Industrial site, Gent (BE), (groepstentoonstelling)<\/li>\n<li><u>Extra Muros<\/u>, labo 6 Existentie, curatoren Sevie Tsampalla en Koen Van Damme, Koninklijke Gaanderijen, Oostende (BE), (groepstentoonstelling)<\/li>\n<li><u>Eutopia \/ Protected Landscape<\/u>, CAMPO boma, Gent (BE), (solotentoonstelling)<\/li>\n<\/ul>\n<p>2007<\/p>\n<ul>\n<li><u>Eutopia \/ Protected Landscape<\/u>, De Brakke Grond, Amsterdam (NL), (groepstentoonstelling De Bank)<\/li>\n<li><u>Monument For Kosovo \/ Disturbed Landscape<\/u>, DAS ARTS, Amsterdam (NL), (groepstentoonstelling De Bank)<\/li>\n<\/ul>\n<p>RESIDENTIES<\/p>\n<p>2016<\/p>\n<ul>\n<li><u>Re-invent the residency#3 &#8211; Arc artist residency<\/u>, Romainm\u00f4tier (CH)<\/li>\n<\/ul>\n<p>2015<\/p>\n<ul>\n<li><u>Re-invent the residency#2 &#8211; Arc artist residency<\/u>, Romainm\u00f4tier (CH)<\/li>\n<li><u>Artist-in-residence &#8211; Arc artist residency<\/u>, Romainm\u00f4tier (CH)<\/li>\n<\/ul>\n<p>2008 &#8211; 2013<\/p>\n<ul>\n<li><u>artist-in-residence<\/u>, Kunstencentrum CAMPO, Gent (BE)<\/li>\n<\/ul>\n<p>2009 &#8211;<\/p>\n<ul>\n<li><u>Suspended Spaces<\/u> kunstenaarscollectief (Amiens-Cyprus-Beiroet)<\/li>\n<\/ul>\n<p>2006 &#8211; 2007<\/p>\n<ul>\n<li><u>Existentie<\/u> Labo 6, Gent (BE)<\/li>\n<\/ul>\n<p>2006 &#8211; 2008<\/p>\n<ul>\n<li><u>Artist-in-Residence<\/u>, De Bank (collectief), Kunstencentrum CAMPO, Gent (BE)<\/li>\n<\/ul>\n<h2>PUBLICATIES<\/h2>\n<p>2016<\/p>\n<ul>\n<li><u>Hacking Habitat. Art of control<\/u>, NAI010 Publishers, Rotterdam (NL)<\/li>\n<\/ul>\n<p>2014<\/p>\n<ul>\n<li><u>Suspended Spaces #3<\/u>, ENSBA Editions, Parijs (FR)<\/li>\n<li><u>KunstVisite 2014<\/u>, catalogus, Kulturamt Steglitz Zehlendorf, Berlin (DE)<\/li>\n<li><u>Ostrale 014<\/u>, tentoonstellingscatalogus, Ostrale Dresden (DE)<\/li>\n<li><u>Ons Erfdeel &#8211; 2014, nr 3<\/u>, Uitg. L. D evoldere (BE)<\/li>\n<\/ul>\n<p>2013<\/p>\n<ul>\n<li><u>Cultureel Jaarboek 2012<\/u>, Provincie Oost-Vlaanderen (BE)<\/li>\n<li><u>Europa Jaarboek 2014<\/u>, Twinmedia publishing, Culemborg (NL)<\/li>\n<li><u>House of Eutopia<\/u>, limited edition, cataloog, Filip Berte en CAMPO, Gent (BE)<\/li>\n<li><u>Lettre Internationale #100<\/u>, Niveau sans fronti\u00e8res, Berlijn (DE)<\/li>\n<\/ul>\n<p>2012<\/p>\n<ul>\n<li><u>Provinciale Prijs Beeldende Kunst Oost Vlaanderen 2011<\/u>, cataloog, Provincie Oost-Vlaanderen, Gent (BE)<\/li>\n<li><u>Suspended Spaces #2<\/u>, Beirut, Blackjack Editions (FR)<\/li>\n<\/ul>\n<p>2011<\/p>\n<ul>\n<li><u>Citybooks Tbilisi<\/u>, deBuren (BE) and the Embassy of the Kingdom of the Netherlands in Tbilisi (GE)<\/li>\n<li><u>Suspended Spaces #1<\/u>, Depuis Famagusta, Blackjack Editions (FR)<\/li>\n<\/ul>\n<p>2009<\/p>\n<ul>\n<li><u>From Memory, On knowing and forgetting<\/u>, Museum Dr. Guislain, Lannoo editions (BE)<\/li>\n<\/ul>\n<p>2008<\/p>\n<ul>\n<li><u>Extra Muros<\/u>, labo 6 Existentie, cataloog, vzw Existentie, Gent (BE)<\/li>\n<\/ul>\n<h2>PRIJZEN EN EERVOLLE VERMELDINGEN<\/h2>\n<p>2016<\/p>\n<ul>\n<li>Laureaat Open Call Think Tank lab Triennale, International Festival for Contemporary Drawing, Wroc\u0142aw (PL)<\/li>\n<\/ul>\n<p>2012<\/p>\n<ul>\n<li>Laureaat Provinciale Prijs Beeldende Kunst, Oost-Vlaanderen, Gent (BE)<\/li>\n<\/ul>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>geboren, 1976 Gent (BE) woont en werkt in Gent OPLEIDING 1994 &#8211; 1999 Sint-Lucas, departement Architectuur, Gent (BE) 1988 &#8211; 1997 Koninklijke Academie voor Schone Kunsten, Schilderkunst, Gent (BE) TENTOONSTELLINGEN \/ ACTIES 2019 Displacement and Togetherness &#8211; Europalia, Cultuurcentrum Strombeek, Strombeek (BE) Departing from Two Stones, KANS, Brussel (BE) Wroc\u0142aw Drawing Triennal 2019, Arttrakt Gallery, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"bio-page.php","meta":{"footnotes":""},"class_list":["post-18","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/filipberte.com\/nl\/wp-json\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filipberte.com\/nl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filipberte.com\/nl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filipberte.com\/nl\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filipberte.com\/nl\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":28,"href":"https:\/\/filipberte.com\/nl\/wp-json\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":1318,"href":"https:\/\/filipberte.com\/nl\/wp-json\/wp\/v2\/pages\/18\/revisions\/1318"}],"wp:attachment":[{"href":"https:\/\/filipberte.com\/nl\/wp-json\/wp\/v2\/media?parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}